Wale may have just delivered the best rap album of the year with Everything Is a Lot—and it’s not even close.
That might sound bold, especially coming from someone who hasn’t always been the biggest Wale fan. But over time, his music has aged gracefully, evolving alongside listeners who appreciate substance, vulnerability, and growth. With this latest release, Wale leans fully into his strengths, crafting a project that blends rap, R&B, and introspection at an elite level.
Album Structure: A Journey Through Love & Loss
Everything Is a Lot isn’t just a collection of songs—it’s a structured narrative.
Across its 18 tracks, the album feels divided into four distinct arcs:
- Love & Separation – Wale reflects on his relationship, breakup, and emotional aftermath
- Self-Reflection – Internal battles, accountability, and growth
- Re-entering the Dating World – Searching, uncertainty, and emotional risk
- Isolation & Acceptance – Loneliness, healing, and redefining love
This layered storytelling is what elevates the album beyond typical rap releases.
A Near-Perfect Opening Run
The album’s opening stretch is arguably one of the strongest in recent hip-hop memory.
The first 8 tracks (excluding Michael Fredo Intro) are loaded with quality, with the first 4 heavily driven by R&B samples, a lane Wale has mastered.
Standout Early Tracks:
- “Conundrum” – Raw and personal, immediately setting the tone
- “Belly” – A masterclass in flipping classic R&B into modern rap
- “Where to Start” – Nostalgic sampling paired with sharp lyricism
- “Blanco” – A polished, high-level record that feels bigger than “radio”
Wale isn’t chasing hits—he’s making timeless music that naturally connects.
“Michael Fredo” and Pure Rap Energy
“Michael Fredo” delivers that MMG-era energy, reminiscent of Wale’s earlier work alongside Rick Ross.
It’s the most lyrically aggressive track on the album, proving that while Wale thrives in melodic spaces, his pen remains razor-sharp.
At this point, he’s essentially five-for-five out the gate.
Growth, Reflection, and Emotional Depth
Tracks like:
- “Power & Problems”
- “Mirroronnabenz”
…showcase Wale at his most introspective.
He contrasts his current mindset vs. his younger self, unpacking decisions, regrets, and evolution. This dual perspective adds depth rarely executed this cleanly in rap albums.
The Leon Thomas Effect
Whenever Wale links up with Leon Thomas, it’s a guaranteed win.
Their chemistry delivers one of the album’s most undeniable records. Leon Thomas continues to make a strong case as one of the top R&B voices in the game right now, elevating the sonic quality of the project.
Afrobeats Influence & Cultural Roots
The middle section—featuring tracks like:
- “YSF”
- “Tomorrow Today”
- “Big Head”
…leans into Afrobeats-inspired production.
While this may not appeal to every listener, it feels authentic. Wale, drawing from his African heritage and D.C. cultural influences, taps into a sound that’s both personal and globally relevant.
Even if it’s not your preference, it’s executed with intention and respect.
Closing Stretch: Vulnerability & Isolation
The final act of the album dives deeper into loneliness and emotional survival.
Highlights include:
- “City on Fire” (featuring Odeal, with a sound reminiscent of Brent Faiyaz)
- “Fly Away”
- “Corner Bottles”
These records focus on emotional protection, betrayal, and self-preservation—continuing the album’s introspective tone.
Features That Add Value
The album closes strong with key collaborations:
- Nino Paid – DMV representation
- Ty Dolla $ign – Smooth, polished contribution on “Survive”
- Shaboozey – A surprising but effective vocal performance
Each feature feels intentional and enhances the listening experience.
Final Verdict: Is This Rap Album of the Year?
Everything Is a Lot is:
- Cohesive
- Emotionally rich
- Expertly produced
- Authentically Wale
He’s not forcing hits. He’s not chasing trends. He’s simply making great music—and it shows.
Score: 9.25/10
The only slight drawback is its consistent sonic palette, which—while cohesive—may feel repetitive to some. The Afrobeats section may also be hit-or-miss depending on listener preference.
But overall?
This is one of the most well-constructed rap albums of the year and a legitimate Grammy-level project.
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